New clips from Richard Smyth!
The following two clips were recorded in Richard's home studio. He added some reverb and delay at the board, but other than a wah here and there the clips were recorded using a guitar, cord and his Skyrarider SR-30C combo. www.RichardSmyth.ca
"Rock-a-Billy-Joe-Bob-a-Luba"Left track = middle position
Right track = neck pickup
B/tremolo section = bridge pickup | Strat
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"Summer of '79"Left track = middle position
Right track (wah) = bridge pickup
Melody down the middle = neck pickup
B/overdrive= bridge pickup |
LP
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The following Skyraider SR-30 clips were played through a 1X12 CB closed back, vented speaker cabinet.
All clips played by Richard Smyth. See recording notes below.
Clean
Double cutaway guitar with three single coil pickups
Neck and middle pickups, Character switch - Hot
Single cutaway guitar with two humbuckers
Both pickups, Character switch - Hot
Overdrive
Double cutaway guitar with three single coil pickups
Bridge and middle pickups, Character switch - Burn
Single cutaway guitar with two humbuckers
Bridge pickup, Character switch - Burn
Distortion
Double cutaway guitar with three single coil pickups
Bridge pickup, Character switch - Melt
Single cutaway guitar with two humbuckers
Bridge pickup, Character switch - Melt
Recording Notes
Mics: The Heatseeker HS-36 and the Skyraider SR-15 and 30 were recorded using a Shure SM-57 placed at the speaker grill on center and a Neumann TLM 103 placed about 6' away on axis.
Console setup: The mics were fed into NEVE (Type 3117) mic preamps. The line outs of the Neves were then sent directly to the digital converters of a Tascam DM3200 console (bypassing the Line In's) and recorded directly to Nuendo - with ZERO effects, ZERO EQ and ZERO compression.
Special note for HS-36, SR-15 and SR-30: To enable a true comparison of how these amps sound, the guitar tracks were first recorded direct (the guitars were plugged into a Radial DI and fed into the NEVE preamp and recorded as above). Then the direct tracks were fed to each amp from the console and the amps were recorded as noted above. This "re-amping" technique allows you to compare each amp model knowing that the exact same guitar track is being played in each clip!
Listen to more sound clips.